Invisible Colors

1997

Boek; (VII, 453 p.) ill

Met bibliografie

In one of his sparkling aphorisms on the end of 'optical' art, Marcel Duchamp suggested that the title of an artwork was an 'invisible color'. John Welchman now offers the first critical history of how and why modern artworks receive their titles. He shows that titles were seldom produced and can rarely be understood outside of the institutional parameters that made them visible - exhibitions, criticism, catalogues, and even national politics

Located in: KUNSTTHEORIE

ISBN: 0-300-06530-2 9780300065305

VUBIS: 2:34197